A new film premiered this year that is truly one of a kind. whiteonwhite:algorithmicnoir was made by Eve Sussman and her collaborators, known as the Rufus Corporation. They shot most of the footage in Kazakhstan, improvising the script and taking advantage of the Soviet Union???s once-grand utopian architectural schemes, now crumbling. (Kurt Andersen comments that the locations look as though ???somebody had given Godard $250 million.???)
The feel is 1970s-paranoid-sci-fi-thriller. An American engineer, Holz, gets a job in a mysterious foreign place called City A, and ???starts finding out things are wrong,??? explains Sussman. ???The water supply seems to be drugged with lithium, time seems to be slowing down, people are running out of language.?? The people who hired him may not be who he thinks they are. Everything is a little bit beyond his control.?????
But Sussman decided to edit the film in an unorthodox way. Working with programmer Jeff Garneau, Sussman designed a computer system that assembles thousands of clips of footage, voiceovers, and scoring elements in an ever-changing succession. There is no one version of whiteonwhite. ???The things I liked the most in my films and in other people???s films were the things that happened by serendipity, that happened out of luck. And so I started wondering, could we build a machine that would give us more luck than we could ever have in real life????
She calls the program the Serendipity Machine. ???We start the computer before the audience enters, and it will always order in a different way, so there is no beginning middle or end, and it runs forever.???
Sussman’s film is state-of-the-art technology, but it’s not trendy. ???Because it???s a computer-driven, the first thing people ask is, ???Is it interactive? I want to get in there and tell it to show me only the shots of birds [for example].??? My response to that is, it???s a movie, and you???re the audience!??? she says. ???You are interacting with it by filling in the gaps between the narratives.???
The film will screen at the Sundance Film Festival in 2012.
The trailer below is just one sample of the movie; since whiteonwhite changes with each screening, it will never run exactly this way again. ??
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Trailer: whiteonwhite:algorithmicnoir
Category Archives: Julie’s Conferences
Here’s How to Get Past a Screen Full of Bullet Points
This is too cool! RT @tomkuhlmann Here’s How to Get Past a Screen Full of Bullet Points » The Rapid eLearning Blog http://bit.ly/4lL7m1
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Final Attendance numbers for DevLearn 2009
RT @devlearn: Final attendance for #DL09 … 1,346.???? Thanks to all who came and contributed! Thx for the transparency!
DevLearn 2009: 2,880 tweets from 366 participants
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DevLearn 2009 ??? A Roaring Success!
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More than 1,300 e-Learning professionals from around the world convened last week in sunny San Jose for
DevLearn 2009 Conference & Expo! ???and based on conference evaluations and comments from participants, the event was a roaring success. THANK YOU to everyone who attended, contributed, and made DevLearn the success that it was! Later this week we will publish conference highlights, but if you just can???t wait, you can review our #DL09 Twitter stream that included more than 2,880 tweets from 366 participants with tons of links to dozens of blog entries about sessions, discussions, and the event in general. Or you can visit www.DevLearn09Live! and jump into the ongoing conversation.
So I came in the top 10 for tweeting at DevLearn
See the stats of the #dl09 hashtag here:?? http://wthashtag.com/Dl09
The web page I created while at The Tech Museum
#dl09 #dl09-807 Using SharePoint to Enhance Online Learning Events
#dl09 #dl09-807 Ken Cronin and Rob Robertson
Sent from my iPhone
#dl09-706 Roldolfo Rosales
Sent from my iPhone
#dl09 #dl09-706 Initiating a Social Network for National Product Knowledge Collaboration
???Your information is instantly published so that it can start a conversation that will enhance training and educational progress???
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You are in control by posting your thoughts and materials to get your documentation into good shape for training.
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Once your materials are live online, community peer review begins. (remember that anyone can download and use your materials as they wish)